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What an amazing holiday season! On the first day of Hanukkah we had a torrential rain storm that ended shortly before sundown with a double rainbow. A new meaning for Festival of Light!
On the winter solstice we were treated to a full moon with a total eclipse, and in my little part of the world the skies were clear for viewing it!
Christmas arrived quietly but deluged us with snow the next morning. It’s a winter wonderland!
I wish you warmth and safety, and a hot cup of cocoa! This particular cup of cocoa was captured by my son, who made it, photographed it, then drank it…on Christmas morning.
May the year ahead be rich with blessings….
Posted in family, Fine Craft
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It’s time for planting garlic, harvesting root vegetables, and brewing up the dyes from summer harvests. I harvested my weld in June and again in July when we were home briefly, then left it to dry in Bob’s workshop. This weekend I made the dye solution at a friend’s house. She mixed up more colors of ProChem acid dyes than I could count! Three of us had a great time painting skeins of handspun and commercial wool yarns and sock blanks!
Between gathering in the herbs from the season and making dye, I feel a bit of bewitching power! Look out!
My skeins drying in the garden
The acid dyed skeins and one sock blank skeined double. Colors used in these skeins are “bright red,” “cranberry,” “maple sugar,”
“mustard,”
“saffron,” “moss green.” These are unknown skeins from KnitPicks, possibly “Palette,” and a Knit Picks sock blank of superwash wool/nylon.
Both skeins dyed with weld, with one skein handpainted with “saffron” and “mustard.” Sadly, you cannot see what a lovely pear green the weld made. I love it! Both skeins are “Texas” by Henry’s Attic (50% wool, 50% mohair)
Last (and least in my mind), blues, violets and charcoal. This is another unknown Knit Picks skein with a lovely twist. Merino? It’s fingering weight, about 400 yds per 100 grams.
Posted in Fine Craft
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I certainly didn’t mean to take a two-month hiatus from blogging, but that’s what happened. My ancient desktop computer has given up its spirit, and I’ve been using a couple of hand-me-down laptops with software that was not compatible or conducive to posting here. I’ve missed posting…
Work on the Archie Brennan Project has continued even though I have not been able to post updates over at that website either. Things are going well, but I’ve had no way to share info!
It’s glorious autumn here in NJ, and I’ve got a busy schedule of weaving. It’s been great to reconnect with my community of weaving friends after being away so long this summer… seeing the Wednesday Group again, seeing Susan and Archie’s tremendous body of work on display at GAGA in Garnerville, starting a couple of new classes, and reconnecting with my weaving guild and knitting group! I am taking a bobbin lace class each week, and once a month I travel up to Carmel to learn the techniques of making a Nantucket lightship basket. All good!
These are tapestry bobbins I ordered from John Moss last June that were shipped to Archie and Susan in NY, so I couldn’t get them until returning from sailing! Aren’t they beautiful? John does wonderful work. The two outside bobbins are figured maple. Can you see the iridescence in the grain? The second on the left is Osage Orange and the third is Jatoba, also called Brazilian Cherry. It’s wonderful to use beautiful, well made tools!
Rob and Lauren’s placemats. This is a monk’s belt design from Jean Scorgie’s magazine “Weaver’s Craft” which was a proejct for a small woven handbag. I did these in 16/2 black cotton with wetspun 8/1 linen for the pattern weft. The colors are all beachy blues and greens, and there are two of each colorway for a total of eight. They celebrated their 2nd anniversary in August, which is the traditional ‘cotton’ anniversary. The warp and tabby weft are cotton, but I couldn’t resist using the lustrous wetspun linen for the pattern!
Posted in Fine Craft
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The weeks are passing, in some ways quickly, in others rather slowly, and I’ve now been on board our boat Pandora for a full month as of yesterday! This is the longest I’ve ever been on a boat. Here are some images from my month in Maine.
Day schooner that sails out of Camden
Along the Fox Island Thoroughfare, between North Haven and Vinalhaven.
Herreschoff 12 1/2 (means the water line is 12.5 feet), well known wooden gaff rigged sloop from the early 20th c. designed by Nathaniel Herreshoff, “the wizard of Bristol” (RI).
Bass Island lighthouse, southern most tip of Mt. Desert Island. This is the most photographed lighthouse in Maine!
Our boat, Pandora, is in the center of this photo, taken from the lookout on the way up to Thuya Gardens in Northeast Harbor, on Mt. Desert Island.
Thuya Gardens, designed by Charles K. Savage.
Thuya Gardens
The reflecting pond at Thuya Gardens
Bee house at Thuya Gardens. Bob took this photo for me so I could remind him to make one for our garden!
The fog bank rolling into Southwest Harbor on Mt. Desert Island.
The fog bank coming into the harbor and boats rapidly disappearing!
The rapidly ebbing tide near Blue Hill. This type of rushing tidal current is called a reversing waterfall. This is supposedly the biggest reversing falls in Maine.
Reversing falls near Blue Hill.
Morning mist on our friend’s 100 yr. old lobster boat in Oven’s Mouth on the Sheepscot River.
Osprey nest.
Posted in gardening, inspiration, sailing, travel, vacation
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Well, it’s another beautiful summer in Maine, and I’m so lucky to visit other amazing fiber farmers and fiber artists’ studios!
This year’s plan was a bit more involved than previous years, and it was a fun adventure! My husband wanted to attend a rendevous for the Seven Seas Cruising Association on Islesboro so we worked out a plan to take the ferry to Lincolnville on two of the weekend mornings. The first morning we hitchhiked partway and got a cab partway to get back to our car in Rockland. Then, at the end of the day, I left the car at the ferry terminal so it would be handy for our second day of sightseeing.
This is the eating area of the snack bar at the ferry terminal on Islesboro. It’s about 7am, and the fog bank is rolling away to reveal the Camden Hills and the beautiful day ahead!
It took two hours from the time the ferry left ‘til we had our car, although the ferry ride was only 20 minutes! We also got picked up hitchhiking a lot faster than when we waited for the cab in downtown Camden!
Day one of fiber sightseeing included Eolian Farm where no one was home, too bad for me!
These photos were taken outside Swans Island Blankets on Rte. 1, just outside of Lincolnville. What a stunning 18th century farmhouse they use for their showroom!
We saw the looms as well as the dyeing room.
Two Sons Alpaca Farm in Damariscotta was the farm highlight of the weekend for me! Owner Ricki Waltz was very happy to talk about her animals to us, a fascinating blend of alpaca husbandry and tales of the various personalities in her herd. The babies were adorable and had quite distinct personalities right from the start!
Timberdoodle 2 (alas! no website!) is a lovely studio overlooking the water near Cushing. It’s a tiny, perfectly appointed showcase of Kathryn Woodstock-Lynn’s lace spinning and knitting! Using traditional Shetland techniques, learned from such venerated knitters as Gladys Almedro, Sharon Miller and others, she knits lace shawls and wraps of her own design. Her spinning is exquisite and so is her dyeing! There were two large hatboxes of yarns for sale, each with enough to make either a shawl or a scarf. One box held natural colored yarn, the other was full of her hand dyed creations. She blends acid dyes into a stunning array of colors. I dearly wanted a ‘red’ but did not have the pocketbook for it this summer. I did buy a Shetland/Oxford mix dyed an indescribable mix of pink/lavender/tan ….just a small ball that will make a lovely scarf.
Katharine Cobey. When I entered this studio I instinctively knew that I was in the presence of an artist, and that her studio was probably going to be the highlight of all our travels this summer! Her studio and its setting along the water is as artistic as Katharine herself. The wall of glass that faces the water must provide an ever changing inspiration to her spinning and knitting. When I entered Katharine was reclining in an overstuffed chair with ottoman, knitting away on a current project. Her large Rio Grande ‘sitting great wheel’ was nearby, and one of the first things she did was give me a demonstration on how it works! I’ve always wondered how one could sit and spin at a great wheel, and after seeing Rachel Brown’s simple technique which Katherine does so well, I am awestruck by what a simple feat it is to change from spinning off the spindle to winding on without stopping the wheel. Thank heaven for Rachel Brown! Katharine made it look utterly simple, but when she encouraged me to try it I quickly learned that I’d need several hours (or days!) to get the hang of it!
Part of Katharine’s studio is a showcase for some of her work. There was a display of knitted mantles arranged in a circle and exquisitely lighted called Ritual against Homelessness. They were beautifully moving. There was also a wire-knitted form on the wall that was wonderful. The form itself was interesting and was greatly enhanced by its shadow. The combination of real form and shadow were terrific together.
On leaving, Katharine handed me one of her postcards which is when I realized I knew of her! I had seen Boat with Four Figures at the Portland Museum a few years back, but didn’t realize she was the artist! I’m thrilled to have met her!
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I’ve been in some lovely places lately, not weaving! I missed opportunities to weave in the Mystic River, on Cuttyhunk in the chain of Elisabeth Islands, and in Tashmoo Lake on Martha’s Vineyard. I can’t explain why I haven’t been weaving as the days pass. Hopefully I’ll remedy that tomorrow while we sit in Vineyard Haven.
View from the high point on Cuttyhunk. The church steeple is a United Methodist church, but the list of multi-demoninational services available only mention RC and Episcopal!.. not even a Methodist service!
The 4th of July parade in which everyone decorates their golf carts (the main vehicle on the island) and drives through the island throwing candy at spectators!
In the interim I have been spending some frustrating time fiddling with wifi on our boat with a cell booster a the top of the mast for connection. Nothing is ever as simple as advertised, and as I write I am not connected. I am just making a word document!
And I am attempting to learn to crochet. Actually, I know several crochet stitches and have managed to make trim for my knitted items over the past few decades, but I have never made a crocheted piece. When I visited WEBS in May, I was smitten with the crocheted market bag (made from 8/2 linen), which is finished with a lovely leather handle from Homestead Heirlooms (also now available at WEBS). I chose a dark aubergine leather handle. I am determined to learn this! Thank heaven for the internet because during the brief moments when I had access to it I managed to watch a video on how to do a “Half Double Crochet” as well as how to do a “Back Post Half Double Crochet.” It sure is hard to recognize when I’ve come to the end of a round (would new knitters say this too?), so I’m trying to use a marker to keep me on track. I’m forging ahead….but slowly. I’m not sure that crochet will ever feel natural…
Posted in Fine Craft
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The glorious days of summer are here! I’m spending a quiet week at home enjoying the things I cannot do on a boat!
The gardens are looking great this year, with little input from me. It’s been perfect weather to sit outside until the past couple of days when the heat drove me indoors and made me turn on the AC.
Our sailing grounds have moved to Eastern Long Island Sound now, but I did not weave on our last trip. We had guests on board so there was little room for my loom. Instead I did some crocheting and drop spindling. We visited the newly built Ocean House in Watch Hill, RI, which is certainly as spectacular as the original structure must have been 100 years ago.
Now I am home alone for a few days, finally using the Toika that I bought from my friend about two years ago! This project will be a set of placemats for my older son and his wife. The loom needed a lot of tweaking, at least for this old girl who is only familiar with jack looms! I might be a bit old for learning new tricks, but with Sr. Bianca’s help, I think I’ve got the loom in great working condition now! I’m a convert to countermarche!
5/2 merc. cotton warp with 8/1 linen tow weft in lots of beachy blue/green colors. Each set of two will be slightly different, for a total of 8 placemats.
The reverse side is quite nice too. This pattern is from Jean Scorgie’s “Weaver’s Craft” issue 16, Monk’s Belt.
I’m working on the Archie project too and hope to have a new blog post there soon!
Posted in Fine Craft
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The first dot on the map may be the most interesting!
Bonnie Tarses will be weaving in western Montana, at Flathead Reservation, in a bucolic spot called “The Garden of 1000 Buddhas.” Through the internet I found this description from a Montana newspaper:
“Visualize a 10-acre garden with a thousand Buddhas to inspire visitors of all faiths to reflect on peace and find compassion and happiness within themselves.”
And now visualize Big Sky country, a peaceful garden for contemplation, and your loom at your side! Does it get any better than this? The Dalai Lama plans to visit the completed garden in 2011.
Posted in Fine Craft
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Late last week I visited Shelburne Falls, Mass, with a couple of weaving friends. It was open studio week at Vav Stuga. We had made our plans too late to participate in weaving on the looms, but we were happy to make the trip to visit the town and check out this weaving studio!
Shelburne Falls is known for its “Bridge of Flowers,” and we learned that the bridge has been turned into a small botanic garden, planted with trees, vines, shrubs and many perennials. In May there is a lot in bloom! Azaleas, wisteria vines, iris, Solomon’s seal, columbine, poppies….well, I just cannot name them all! There were plenty of summer blooming perennials starting to bud!
The Bridge of Flowers was started in the 1940s by a group of volunteers on an old trolley bridge . For many years it was known as the “Bridge of Weeds.” It is now supervised by a professional gardener, but still requires the hard work of many volunteers. While my friends and I walked across, we saw one volunteer hauling numerous wheel barrow loads of black dirt onto the bridge.
We stopped at WEBS on the way up and had a fun shopping spree! Their spring sale was in progress, and we each got some wonderful things! My most exciting purchase was two cones of tencel in complimentary colors to recreate the two-block twill fabric that was on Bonney’s loom when I got it. That’s the fabric I wrote about earlier this month! It will be wonderful to have my own version!
On our first evening in Shelburne Falls, we met the business manager of Vav Stuga who happens to be living at the Dancing Bear, where we stayed. She mentioned that there was one cancelation for Friday, and after a little discussion, my friends agreed that I could take the spot! Lucky me! So while my friends toured the town on Friday morning, I wove at one of the looms! It was a rep weave project in colors that were just perfect for both my kitchen and my family room! I loved the studio (sorry, no photos…but you can check out the website! I was too busy at the loom!), and I enjoyed weaving in this setting! Now I hope to visit again for one of the week long classes. Becky (owner), Susan (business manager) and Celeste (apprentice) do a wonderful job of creating a calm setting with lots of good weaving energy. The studio and living spaces make you feel like you’ve just entered a Karl Larsson painting! It’s lovely.
Here’s my runner!
Posted in Fine Craft